Embroidery: Skull with Fedora

Process: Relaxation Workshop Visual Arts Group Painting

Hiding

Drift #13

Live performance of group improvisation, repertoire, and solo self-choreographed work in Paris, France during the Barnard Dance in Paris Summer 2022 showcase.
Scrapbook: Barnard Dance in Paris 2022
2022, 22 pages




Question Mark

Gracious Flowers

Deer Tracks

Seashells

Figure Drawings 1


Hold Them Near

BodySpace

Premonition Lighthouse

The Mystery of the Future
A poem by Lily Selthofner, 2022.

cyclical, seasonal
what burden to bear?
the weight may sparsely disappear
ease
spots trouble in the distance
the telescope of uncertainty
smeared with the fog of conditioning
sticky fingers wiping away
attachment to the good, bad, looming and lingering
in favor of a lighter next time.
Concrete Talons
A poem by Lily Selthofner, January 13, 2022.

scavenging
little moments of daydream escape.
from school bus to subway train
I travel
to and from the same location.
roads paved, from rural hometowns
to massive Manhattan highways
everyone waits
for the light to change.
We are all the same.
Fill my backpack with your labored desires,
so you may rest. sweet relief
remains submissive
to the beck and call of heavy traffic.
A Constellation

Sis

I painted this piece while sitting in front of a pond.
Games

Ira

A Familiar Cabin

What a Weird Place to End Up in

Crossing

An Optimistic, Nostalgic Tree

The piece reveals dualities: of evergreens and deciduous reds — youthful in death, floating away, or falling, awaiting rebirth. From near and far, the trees see and know each other.
A Portrait of Three Cats: Milo, Gold Dust, and Dewey

This is a portrait of three cats that I know: Milo, Gold Dust, and Dewey (from left to right). The inquisitive and optimistic Milo, the energetic and feminine Gold Dust, and the wild, yet deeply caring Dewey.
Little Genie

Portrait of a cat named Little Genie.
Our House

Upward Spiral
Upward Spiral is an experimental Screendance documentary that navigates the subjective embodiment of selves, objects, and spaces, forging paths between aloneness and togetherness.
I created Upward Spiral to explore the subjectivities of embodiment that hover in the gaps between ourselves and the living world: public and private selves, the butterfly effects of pasts, presents, and futures, inner children and adults, responses to life’s traumas and joys, complex growth and simple being.
First, I worked with cast members one-on-one to create single-shot films that explored how sacred objects, spaces, and routines are embodied within their internal lives. Woven together, these individual experiences portray collective rituals and moods of identity and grounding – as represented by the ‘object-altar’ – where meaning meets material in the body.
I also collected 43 drawings, where I asked people to draw their response to the question: “How do you feel in your body right now?” During the rehearsal process, my cast and I explored how movement can influence, represent, and be inspired by ‘body drawing’ as a shared mode of articulation. We also played games and journaled to explore where the self changes between in connection, isolation, safety, and freedom – these processes culminated in a series of audio interviews in the film.
Altogether, the interconnection of many intense subjective experiences guides the audience through a fundamentally human Upward Spiral toward a more articulately embodied togetherness in this experimental film.
December 2022
Screenings:
CoLab Performing Arts Collective Fall 2022 Showcase
Pop-up: Screendance Showing
