‘Harbor’ is an 11-minute dance with six performers, featuring elegant, ritualistic contemporary choreography set to mystical, folksy banjo. Parsing through the unavoidable liminal march toward the abyss of change, each of Harbor‘s performers embodies a different archetype, drawing from the tarot’s major arcana: The Fool, The Oracle, The Empress, The Hermit, Judgment, and The Moon.
Spoken text on melancholic, everyday, and morbid themes juxtaposes movement motifs of childlike innocence such as rock, paper, scissors and hopscotch. Symbols like numbers and electron bonds are playfully infused to intersect Harbor‘s momentum-filled dance elements, which portray the at once somber and firey exploration of new realms. In all, Harbor prods at the tensions between free will, destiny, karma, meaning, and return.
Harbor (2026)
Directed by Lily Selthofner and Philip Foster
Choreographed by Lily Selthofner in collaboration with the cast
Music: Banjo by Justin Shaw Grey Funnel Line by Silly Sisters Kalimankou Denkou (The Evening Gathering) by Bulgarian State Radio and Television Female Vocal Choir
As a Research Fellow with Borshch of Art in 2025, I wrote a book called “Poetics of Displacement: Maya Deren Through a Ukrainian Lens,” featuring interviews with contemporary Ukrainian artists: Katya Grokhovsky, Slinko, Daria Dorosh, and Luba Drozd. In June 2026, I presented my research findings and facilitated a panel conversation with the interviewed artists at the Chelsea Academy of Design in NYC.
Like many Ukrainian artists, avant-garde filmmaker Maya Deren’s legacy has historically suffered from erasure and appropriation under Soviet imperialism. While her groundbreaking influence as a feminist artist is properly celebrated, the distinctly Ukrainian aspects of her films and legacy have remained largely unexamined. This research aims to fill that significant gap in dance and film history, where her Deren’s work is canonically referenced but predominately subsumed into the American avant-garde.
Borshch of Art sold printed copies of this excerpt, which features key chapters on Deren’s biographical history alongside case studies of her first three films. The digital publication of this excerpt will be available soon via open access through Borshch of Art’s Discover Database. I look forward to sharing updates regarding the publication of the the full 80,000-word manuscript as a book down the line!
Written Statement, Corresponding Poetry and Paintings
The archer’s motions of preparation, release, and impact are meditative philosophies that guide our movements through achieving our goals. Aim Skyward turns toward hope and healing by being our brightest, most authentic selves. Its dynamic soundtrack of eight songs guides an emotional arc that corresponds to the blooming flower and the arrow’s flight. The choreographies are situated alongside three onscreen quotes from “The Way of the Bow” by Paulo Coelho. This film is inspired and supplemented by my own poem, “Sky-born,” as well as two paintings, “Blossom Essence” and “Where Air Meets Water,” below.
Aim Skyward weaves in subtle references to the history of NYC’s beloved Bethesda fountain, with the sculpture Angel of the Waters being the first public art commission in New York City by a woman, Emma Stebbins. An angel holds a flower with four dancing cherubs, figures that represent the qualities of peace, health, purity, and temperance, which the dancers in Aim Skyward bring to life. Rainbow textiles and loving choreography correspond with the statue’s queer history, including speculation that Emma Stebbins modeled the angel after her partner, Charlotte Cushman. Further, this film features dance in Central Park’s famous Sheep Meadow, a place of solace for countless New Yorkers where the iconic city skyline meets vivacious greenery and frolicking crowds.
A second pair of dancers first enter to the soundtrack of a documentary about photosynthesis from the 1940s, called “Gift of Green.” Aim Skyward coalesces into a montage of blooming flowers, digitally remixed on Hydra, a live coding visual synth, to illuminate their auric and kaleidoscopic essences. This approach is inspired by the watercolors of Swedish artist Hilma af Klint’s Nature Studies, her detailed botanical drawings with abstract diagrams made to reveal “what stands behind the flowers,” toward her conviction that studying nature uncovers truths about the human condition. In all, Aim Skyward draws from the works of Hilma af Klint, Paulo Coelho, and Emma Stebbins to guide the viewer through the arrow’s archetypal flight.
Accompanying paintings diptych: Blossom Essence, and Where Air Meets Water metallic acrylic gouache on paper, 5"x 7" developed as part of the research process for Aim Skyward
Sky-born
Archer, in premise near arrow flutters forward–
bitter poison lost to wind as runner’s breath and distant cries in thin-winged descent.
Skyline softens in veined constellations O heliotrope bloom, steady my draw– guide me toward fletched doves who roost in wind-worn rafters along vine-tangled roads
Summon me back to the soil of care, yielding humility. Cirrus petals catching dawn innocent precipice of rainbow
quiet drawback, taut string and arms aim my fashioned weapon, breathy release into circular destiny arc of uncharted return
"On the ground, I wondered if gravity would hold me here forever, or if Earth's circular momentum would take me away. The remaining, grief stricken, look towards the sun as a final trajectory. Only flowers know the littleness of a day; our eyes die to their time."
"I almost have enough memories to be happy. If only I could revisit them without losing the present. If only I could stay present without them slipping away.Arrows fly forward without hesitation, but with a preparation akin to underground root networks.
"Trees draw down their green through winter; what looks like withering returns energy to trunk and root, fueling generative rest and sheltering insects in fallen leaves. A flower bloom emerges from unseen strength: the stalk, like an arrow, grows against the wind; the archer is stronger for it.Plants reveal that the breath, beauty, and nutrients of life dance toward connection, toward intention. Bodies and choreographies, moving forward through time, are always informed by seasonal elements."
“We are inside a culture where everything is failing us. The media is failing. The journalists, I don’t know what they’re doing. I don’t know how they live with themselves. News is no longer news. But the one place I feel like I can go where things are reflected back at me in a way that I understand is in the arts. It’s in the poetry, in the fiction, the visual arts, the dance, the music. And so, you know, I’m beginning to understand now why the dictators killed the artists.”
“During the darkest days of the AIDS crisis we buried our friends in the morning, we protested in the afternoon, and we danced all night, and it was the dance that kept us in the fight because it was the dance we were fighting for.”
– Dan Savage
“Art is how you decorate space, music is how you decorate time.”
– Jean-Michel Basquait
“Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.”
– Frank Zappa
“Any sufficiently advanced technology is indistinguishable from magic.”
– Arthur C. Clarke
“Any sufficiently advanced technology is indistinguishable from nature.”
– Karl Schroeder
On Intentionality:
“Life expands in proportion to the courage you bring to it.”
– Anais Nin
“The more you struggle to live, the less you live. Give up the notion that you must be sure of what you are doing. Instead, surrender to what is real within you, for that alone is sure.”
– Baruch Spinoza
“Wanting positive experience is a negative experience, accepting negative experience is a positive experience.”
– Lao Tzu
“Don’t waste yourself in rejection, nor bark against the bad, but chant the beauty of the good.”
– Ralph Waldo Emerson
“If I can stop one heart from breaking, I shall not live in vain; If I can ease one life the aching, Or cool one pain, Or help one fainting robin Unto his nest again, I shall not live in vain.”
– Emily Dickinson
“When the intention of the archer is transformed into the flight of the arrow, her hand opens at the right moment, the sound of the string makes the birds sing, and the gesture of shooting something over a distance provokes a return to and an encounter with oneself.”
– Paulo Coelho
“We must all suffer one of two pains: the pain of discipline or the pain of regret.”
– Jim Rohn
“The only constant in life is change.”
– Heraclitus
On Love and Suffering:
“When the power of love overcomes the love of power, the world will know peace.”
– Jimi Hendrix
“War is when your government tells you who the enemy is. Revolution is when you figure it out for yourself.”
– Napoleon Bonaparte
“Making someone feel like they are being seen, that they are being heard and that they are being understood is the loudest form of love.”
– Brené Brown
“Wisdom and Love must balance mutually. Wisdom without Love it’s a destructive element. Love without Wisdom can lead us to error: love is law, but conscious love”
– Samael Aun Weor
“Honesty without compassion is cruelty, kindness without honesty is manipulation.”
– Bruce Kasanoff
“Holding onto anger is like grasping a hot coal with the intent of throwing it at someone else; you are the one who gets burned.”
– Gautama Buddha
“To be loved but not known is comforting but superficial. To be known and not loved is our greatest fear. But to be fully known and truly loved is, well, a lot like being loved by God.”
– Tim Keller
“To truly see someone – anyone – is an act that acknowledges and forgives our common and imperfect humanity. Love says softly – I see you.”
Gently Attuned is a 3.5-minute screendance duet that softly emanates, exchanges, and releases energy between two dancers. Balletic choreographies of transfer and reciprocal influence embody the emotionally potent language of care. The dancers offer kindness and echo one another through touch and intention, to make visible the powerful impact of subtle care for others.
We become better people and know ourselves more deeply through seemingly minuscule moments of compassion. The tender glance or touch of another provides comfort and aids healing. So too does embodying positive intentions and appreciation for those we love and the world at large, as we all mutually uplift and honor each other.’Gently Attuned’ reminds the viewer that their own loving kindness is meaningful and important to others.
Chief Hanageh (Highknocker) was the last Ho-Chunk Chief to rule Daycholah, the area now known as Green Lake County, Wisconsin. He was born on the east shore of Green Lake in 1820 and died in 1911 at age 91.
Green Lake local George King (1941–2025) donated a statue of Chief Highknocker to honor the Chief’s memory and influence. At the statue’s inaugural speech and ribbon-cutting ceremony, a tribute to George King was performed in the form of a dance set to a recorded interview with him. In the recording, George shares his favorite memories in the waters of Green Lake, narrating stories with family and friends and reflecting on the joy that swimming and fishing brought him throughout his life.
Daycholah is the deepest inland lake in Wisconsin and home to a sacred Water Spirit that every Ho-Chunk person has historically been called to in pilgrimage. Chief Hanageh’s statue, at long last, returns his watchful gaze to Daycholah’s shores. Alongside George King’s local water histories shared here, this tribute unites over 200 years of Green Lake history in a multimedia artistic memorial.
Moving forward, George King and Chief Highknocker remind us to honor and protect the Indigenous history, present, and future of our home — with a love for Green Lake’s sacred waters. This project is the start of a continuous series collecting local water stories.
NYC Parks and Piers: View of Downtown Over the Hudson, watercolor on paper, 6″ x 9″, 2025
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