Confluence

Confluence: Where Waters Meet – 2025 Green Lake Global Water Dances

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Performances:

Global Water Dances

Global Water Dances

For Sponsors

Charity Initiatives

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More Information

More About Global Water Dances

Guiding Quotes

The History of Green Lake

Confluence (n.)

Community, Artistic, and Environmental Engagement Goals

Films (in progress):

Princeton Historical Society Documentary

Film: “The Water Spirit”

For Artistic Participants and Collaborators

For local singers and musicians

For local youth singers and musicians

For assisted living facilities

Moving with Water: Environmental Healing through Somatic Political Ecology

Full work published with SCOPE, the interdisciplinary, peer-reviewed social sciences journal publication of the Urban Equity Institute – Read Full Article Here

Abstract 

This research explores water’s relational intelligence through both somatic and scientific frameworks, drawing on anthropological inquiry and contemporary dance practice to illuminate how water’s movement patterns reflect forms of agency deeply entangled with human experience. By examining water’s explained and unexplained properties alongside embodied ecological knowledge, this work proposes new ways of understanding environmental consciousness and interconnection. Ultimately, it suggests that reciprocal, movement-based relationships with water offer powerful tools for addressing climate change, fostering ecological healing, and reimagining environmental justice through somatic and interdisciplinary approaches.

(20,000 words, 92 min read, 170 sources)

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Visions

Transformative, Create with Compassion. Healing, Explore Complexity with Vulnerability. Empowering, Compel and Inspire

Innovate relationships between dance, film, spoken word, music, visual arts, documentary, storytelling, and participatory arts to create multisensory, transcendental, contemplative, and immersive experiences for audiences. Activism, education, community, arts, and personal healing are intertwined. Sustainable environmental and connective practices cultivated through art. Establish spaces and pedagogies to foster connections between artists of various disciplines, for networking and supported collaboration. Build sustainable upward growth for artists through opportunities.

Related Content: Essence – Interdisciplinary Improvisational Workshop

About me Current Works
psychedelic artworks 9th and 10th Dimension
headshot from Acqua Alta
Photo by Shannon Binns, from Acqua Alta

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Environmentalism and Accessibility in Education

Environmentalism, Accessibility in Education by Lily Selthofner

Green Lake, Wisconsin, is beloved by full-time and seasonal residents alike. The deepest lake in Wisconsin fosters an ecosystem filled with diverse wildlife, with community members of all ages enjoying such a bountiful place. Conservation efforts are an integral part of our community. As a recent graduate of Green Lake School District (GLSD), I have realized that educational opportunities abound in a place like Green Lake could be innovated and set a great example for other communities. Our school’s distinct International Baccalaureate (IB) program promotes a well-rounded education: where students gain skills to carry into the real world. 

Many of the root causes of recent global warming increase the risk of pandemics and natural disasters. In light of the COVID-19 pandemic, the importance of environmentalism is more clear than ever. In a community with phenomenal conservation resources, we are already setting a great example for surrounding areas. However, the three most effective ways to change the world are to buy, to vote, and to educate. I would argue that the next step towards a sustainable and united community is emphasizing environmental education for students of all ages.

Our institutions uphold our community, as exemplified by the Green Lake Conservancy, Green Lake Sanitary District, Wisconsin DNR, and more. Schools are institutions, with the responsibility of bringing education to our future leaders. Though many teachers in my time at GLSD have provided opportunities for students in conservation efforts, these practices must be integrated by policy into the school system and wider community. Collaboration with existing departments in our community, as well as creating independent environmental projects, is an important practice for all. Environmental education is an essential part of a student’s journey into a world affected by global warming. 

Americans generate more waste than any other nation in the world, and the Green Lake Community is no exception. Our institutions must lead by example: having compost areas for food and other waste, as well as comprehensive and robust recycling programs. We must adopt waste reduction policies regarding food and stationery waste. 

Furthermore, curriculums must include progressive and comprehensive education about climate change for students of all ages. Global warming is an urgent scientific issue, not a political one, and should be treated as such. The scientific evidence of recent global warming must become common knowledge, and misconceptions about climate change must be addressed. Around the world, global warming threatens lives. 

While it is easy for our rural community to feel immune to recent global warming, its effects are evident here and now. The Wisconsin State Climatology Office has found a significant decrease in ice-on/ice-off data, which has and will result in increased flood frequency. Increased runoff from the watershed into the lake brings long-term delivery of phosphorus and sediment. According to The Lake Management Plan For Green Lake, while individual pollution sources can be addressed, non-point sources remain a serious threat to our ecosystem. Teaching our communities about the evident local effects of global warming and effective strategies in our community connects students to the global impact of the climate crisis in empowering ways. 

To get more people involved in community environmental efforts, threats to our ecosystem should be taught and combated. We can not take our ecosystem for granted: we rely on Green Lake for fishery, recreation, its beauty, and more. The lake has become less resilient, bringing us to an ecological tipping point. Depleted oxygen levels threaten trout fishery.  Invasive species, such as zebra mussels, water milfoil, and buckthorn ravage our ecosystems. Collaboration with current management efforts should be an integral part of education and community life. 

With lots of farm-owning families in our area, many folks are already familiar with agricultural practices. Students and farmers should be educated in sustainable agriculture science, to encourage community and worldwide shift toward necessary farming practices. According to the Union of Concerned Scientists, building and maintaining healthy soil, water management, minimizing pollution, and promoting biodiversity are crucial aspects of sustainable agriculture. Adopting agro-ecological principles aids the environment, without sacrificing profitability or productivity. All possible resources and efforts available to enact sustainable agriculture should be prioritized which can bring these practices to our families. 

In a community where conservation and agriculture are integral to who we are, we must lead by example. We must implement sustainable practices and environmental education with policy, accessible community education, and efforts. Students’ classes, school-wide seminars, collaboration with existing resources, and community engagement are all great places to start. Surrounding districts will be encouraged to do the same, sparking needed change. We must cultivate a better future for the next generation, beginning with environmental responsibility and empowerment.

Word Count: 770

The original version was written and published in local newspapers in March 2021.

The version here is revised 2024.

A Feminist Approach to Education

A Feminist Approach to Education by Lily Selthofner

Education is a primary foundation of identity. Our community’s curricula may be relatively progressive and innovative, yet the underlying ‘hidden curriculum’ (of socializing students within the school system), has severe consequences that are often unnoticed and even tolerated. The biases of both our textbook and underlying, at times unconscious teachings to youth have profound effects on the futures of our students. These mindsets enable or disable students for a lifetime, as many adults may feel within themselves. To create a safe and empowering environment for all students, we must become aware of the array of inequalities reinforced in our local education system, and be active participants in their deconstruction with commitments to truth, justice, compassion, awareness, and innovation.

Many studies have focused on childhood development, and data reveals an extensive array of both overt and unnamed inequality. Starting in preschool, the education system defines children by their gender. Girls wear immobilizing dresses and tights — and their playtime is more structured. Further, girls are given more limiting negative reinforcement. Boys are allowed more retaliation and are disciplined with more physical touch than girls — teaching them that aggression is a means of control. 

Biases in early childhood socialization have lifelong effects on body language and self-esteem. Conditioned movements and gestures create a bodily difference between genders. Social inequalities are presented as natural differences to kids from very young ages, which then falsely manifests as uninformed justifications for sexism, rather than understood as cultural conditioning, where misogynistic systems run deep and must be uprooted.

‘Boys against girls’ tropes spark competition. Women are left with increased quietness, docility, and appearance-related insecurities. Boys are asked to carry more heavy things and given extra academic positive reinforcement. Girls are more likely to function in small groups, whereas boys are allowed to take up more physical space in the classroom (and the playground) and are more likely to function in large, hierarchical groups.  

At the top of this hierarchy lies hegemonic (the most ‘powerful’) masculinity. Maintained through competitiveness, emotional detachment, sexual objectification of women, and the ability to publicly display those qualities — hegemonic masculinity structures the adolescent male social life. Teachers, under-resourced, are often complacent in its cultivation, leading to bullying, physical injury, sexual harassment, and homophobia in schools. Alarmingly, sexual objectification of women — and homophobia — are seen as a masculine status symbol before boys even reach puberty. 

Community and society play a substantial role in the maintenance of gender inequality in these forms. It is the responsibility of teachers to enforce equality by facilitating safe communities and setting examples of empathy and authenticity for students, to build a better future. Teachers should be provided with the proper means and resources to do so. Families must do better too.

Gym-class boys are given unequal entitlement to aggression — one in three women will quit competitive sports by the late teen years, whereas only one in ten boys will. Women live longer and have more endurance, agility, flexibility, and lower body strength than men on average. Yet, misogynistic measurements of strength are ingrained in our systems: such as basketball hoop heights and football widths, not to mention dramatic underfunding, double standards in uniforms, harsher standards causing injury, eating disorders, and systemic sexual abuse, all areas where justice goes even more under-addressed in women’s sports.

Further, classes that teach male-dominated fields like tech-ed often tolerate toxic hegemonic masculinity. Unfortunately, that means women (and gay men) often have to choose between suffering harassment, or giving up learning typically ‘masculine’ skills and going into subsequent fields, that usually have high pay and fewer education requirements. Nobody should have to tolerate inequality and harassment to have fair access to academic or professional opportunities.

In our predominantly white and Christian community, racism and homophobia are in education spaces. Marginalized groups are ostracized by peers. Classrooms lack thoughtful rhetoric because curricula are often built with propaganda, censorship, and misinformation. Hurtful rhetoric should be met with accountability and change. With divisive and hateful views normalized by our political representatives on our screens: Glen Growthman says women should stay in the kitchen, for example, families and schools have an even greater burden to combat that behavior.

The overt curricula must be more progressive as well, as personal safety and family wellness are built upon these foundations. Up-to-date women’s health, including menstruation and birth control, should be taught in health classes. Accurate anatomy, queer sexual education, respect, relational skills, emotional awareness, and trauma-coping tools are also necessary. Stricter discipline of students is not the solution. Staff complacency (or aid) in in-school inequality must not be tolerated. Students must have their individual needs met. Paying teachers adequately will motivate professionalism and progressive, conscientious action.

From a young age, bias in styles of positive and negative reinforcement limits the female mind and body — contributing to the misconception of inequality between genders that social systems ingrain and normalize. Moving further into elementary school, masculinity is allotted toxicity. With decades of failed efforts to end bullying, one must ponder who is encouraged to bully. Even further, school is not a safe space for many students, and with gun violence, parents often do not feel safe sending kids to school. 

Faculties must do better to prevent inequality in learning places. Adequate pay for teachers and respect between teachers, administration, and is a must — alongside revised curriculum, both overt and covert (better community conduct). Reparations for unprevented damage also include quality and accessible mental health resources in schools, and more accessible forms of education at all levels, daycare through phD.

Education is not a place for inequality or ostracization of any kind. It is rather the place where adults should be held most accountable for enforcing equality, with open-minded and inclusive rhetoric, and a commitment to truth and justice, as we influence the malleable minds of youth. It is unacceptable to give some a lifetime of imposter syndrome limiting beliefs, and/or entitlement to racism, sexism, homophobia, and nationalism. It is our responsibility to deconstruct inequality. As education systems move into the post-COVID world, we must take advantage of this opportunity to take thoughtful action to address the inequalities and biases within our schools. 

The original version was written and published in local newspapers in June 2021.

The version here is revised 2024.

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NYC Photography

NYC Photographs – Unedited – Photo Journal

Photos by Lily Selthofner (2024)

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NYC Golden Hour Skyscrapers, NYC Urban Photography, NYC Photos, NYC Street Photos, Street Photography, Skyscrapers, Tall Buildings, Downtown NYC, NYC Summertime, New York, New York City, Manhattan Photos, Central Park Photos, Times Square Photos, Brooklyn Bridge Photos, Pier 1 Photos, New York City Photos

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Afterlives Album and Video Series – Complete Credits

Afterlives: An Album of Interviews, Poetry, Music, Dance, and Nature

For more information about Afterlives

View the album on YouTube

CREDITS:

Director/Producer/Interviewer: Lily Selthofner

Cinematography by Charlie Caestecker, Noah Hanson, Julia Haynes, and Lily Selthofner

Editing by Lily Selthofner and Ray Baker

Music by Rory Bricca, Noah Hanson, Daniel Weitz, Austin Krentz, Maria Shaughnessy, and Soul Online

Poetry by Jessa Faye Moverman and Lily Selthofner

Poetic Narration by Ray Londowski, Desi Kreminlieva, Eric Butler, and Lily Selthofner

Dancing by Lily Selthofner, Kai Nakayama, and John Trunfio

Visual Art by Ray Atlas

Interviewees: The People of Washington Square Park, Al and Lisa Baker, Leslie Polk, Eric Butler, Lauren Calvin, Josh Selthofner, Elizabeth Lee, Dylan Blue, Katherine Francis, Jessa Faye Moverman, Julia Haynes, Noah Hanson, More Sounds by Tomentum+

screenshot 2024 12 04 at 12.53.07 pm
Still from To Remember in Afterlives
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Still from Jiibay Miikana: Path of Souls in Afterlives

Sounds

St. Mark’s Basilica

Tuesday Birds

Sunday Birds

Car Alarm (April Fool’s Day)

Voicemail Message

Meowversation

Chamber: Progressive Opening of NYC Window (12 Floors Up)

Chamber: Flip Flops in Long Industrial Hallway (Basement)

Undefined Sound Object

NYC Soundscape

Scuffle

Dance Photos

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From 8th House – Senior Creative Thesis 2024
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From 8th House – Senior Creative Thesis 2024
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Photograph by Shannon Binns
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Photograph by Shannon Binns
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Photograph by Shannon Binns
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Photograph by Shannon Binns
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Open Dance Ensemble’s Appalachian Summer – Images from the Show

PPA (Professional Photographers of America) Magazine: Photograph Featured, 2020
SYNC Image Competition: Highest Scoring Senior Portrait Entry, 2020
Hot 100 Photography Contest: Community Choice Award, 2020

Experiences

Education

Lily graduated from Columbia University in NYC in May 2024, cum laude, where she studied Dance and Anthropology. She also attended the Columbia Summer in Venice program in 2023, and the Barnard Dance in Paris program in Summer 2022.

Fellowships and Scholarships

Thomas E. Caestecker Scholarship ‘20-’24, Mary Ellen and Bruce Eben Pindyck Scholarship Fund ‘21-’23, Global Learning Scholarship 2023, Finley Fellowship for Venetian Studies 2023, Barnard Faculty-Led Programs Abroad Scholarship 2022

Professional Experiences

Lily has worked with Ringle for two years, tutoring South Korean advanced-level English students and 4K-12 students with Ringle Teens online. Lily was Assistant Director and a Dance Maker at Open Dance Ensemble, a modern dance company in NYC ’23-24. She is also deeply involved in her Green Lake, Wisconsin home community, having worked for Levee Contemporary Art Gallery in Princeton WI, as a Server at Chops in Green Lake, and as a Server and Bartender at Knickerbocker Landing in Princeton.

Recent Works

Lily’s latest project Afterlives is a video series and album with interviews, poetry, music, and dance with contributions from over 4o talented artists and reflective interviewees, beckoned by the compelling question of what happens after death. As a Student Artist in Residence with the Movement Lab at Barnard College, she directed and produced two evening-length live performance works: Acqua Alta and Ultimate Catharsis 1. These multimedia works fused intellectual analysis with raw and poetic subjectivity, to engage with historical frameworks of art and knowledge, and contemporary issues, that connected with and meaningfully engaged audiences. In the Spring of 2023, Lily founded Essence, an improvisational artistic research workshop.

Performances

Studio 54 Fundraiser: dancer at Thrasher Opera House Green Lake, WI 9/24

8th House: Dance Creative Thesis – 5 min. improvised solo, audience of 400 Minor Latham Playhouse – Barnard College 3/24

Xenia Haunted Haus (selected) – solo dancer, 4 hours, audience of 300 NYC 10/23

Additional works: LUCA (2/24) by Tansy Xiao, Space, Falling  (5/23) Movement Lab NYC

Dance and Performance Organizations

CoLab Performing Arts Collective:  9th Dimension (4/24), Holy (12/23), film screenings 2021-2024

Philolexian Society: weekly comedy monologues at absurd debate club, audiences of 50+ 2022-2023

PRISM (Practice Research Improvise Sound Movement): workshops with professional collaboration 2021-2024

Rehearsal and Performance Courses:(selected dancer in 20-minute pieces New York Live Arts NYC)

UnFiNiShEd aNiMaL by MX Oops – house, vogue, hip-hop, breakdance, and modern 9-12/23

Ecdysis by Jenna Riegel – contemporary choreography, improvisation, and speaking 9-12/22

Pre-College training: Valley Academy for the Arts 2018-2020, Boston Ballet Summer 2017, Milwaukee Ballet Summer 2016

Published Written and Visual Arts Works

Useless Art Society Brooklyn, NYC 4/24 – What the F*** is Wrong with You? – Natural Materials Painting: Map

Written Dance Thesis Columbia University 12/23: Water: Scientific and Somatic Approaches to Environmental Sentience 40-page interdisciplinary thesis merging environmental science, anthropological inquiry, and somatic research

Surgam Literary Magazine NYC Spring ‘23 edition: Written piece: 400-word poem featured inside front cover, Visual Arts pieces: and two mixed media works: 10th Dimension & Figure Drawings 1

Works sold at Philolexian Society 221st Annual Dinner 2023 Silent Art Auction NYC: BodySpace, Love, Deer Tracks, and A Forest

From the Land Folk Art Festival: Sold over 60 original prints at an established regional folk art festival exhibition arrangement, past creative sales, and services

Ripon Press: Newspaper Ripon, WI A Feminist Approach to Education (June 2021) Environmentalism and Accessible Education (March 2021)

Film Screenings

Venezia Scalzo: Screened alongside live dance performance at CoLab Performing Arts Collective Fall 2023 Showcase

Disco Ball Funeral: Screened at the Undergraduate Arts Showcase in May 2023

Upward Spiral: Rogue Dancer Film Festival Summer 2024, CoLab Performing Arts Collective Fall 2022, Pop-up: Screendance Showing Fall 2022

Satisficing: Pop-up: Screendance Showing Fall 2022

Caution Wet Floor: Screened as part of Dance Composition: Form Course Spring 2023

Species Loneliness: CoLab Performing Arts Collective Spring 2022 Showcase

Dancer in Award-Winning Photographs: Photos by Tara Rudy Photography in 2020: SYNC Image Competition: Highest Scoring Senior Portrait Entry, 2020, PPA (Professional Photographers of America) Magazine: Photograph Featured, 2020, Hot 100 Photography Contest: Community Choice Award, 2020

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NYC 2024

Caution Wet Floor

Caution Wet Floor

Caution Wet Floor (2/23): Co-directed with Eva Thomas, Caution Wet Floor is a movement and visual arts study of revolutionary pathways, and cautionary signs. Inspired by Deborah Hay’s choreographic inquiries in Using the Sky: A Dance, this filmic journey explores agency, boundary, and the murky depth of the industrial subconscious, wandering through underground tunnels. Within the uncanny industrial world of liminal spaces are basements and laundromats. The slip of paint on the human body, footprints, when dance creates its material artifact intentionally. The painting is a language and has been interpreted as a choreographic notation. It is an archaeology in time, with singing and soundscapes from the same basement, and grey timeless echoes, chasing. The story perpetually unfolds as the pathway revolutionizes itself — a chamber.

Fear holds us back from inevitable transformations, all lines eventually reveal themselves as circles. Through movement, song, and painting, the piece questions our attachment to imagined security in pathways and beckons a surrender to the creative truths in winding sunless tunnels | Dance Composition: Form, Barnard College

Visual Art Component of Caution Wet Floor
Visual Art Component of Caution Wet Floor
Exploration: Pathways

https://lilyselthofner.com/climbing-lost/
Climbing, Lost by Lily Selthofner — poetry used in sound